The curved front foot in ash wood set on the structure in a completely “provocative” way, the cantilevered arm with decisive yet soft lines and the marked inclination of the seat towards the back are the three distinctive features of Grace, an armchair that better than any other product, identifies Giuseppe Manzoni’s hand and taste.
All perfectly finished and harmonized thanks to the consolidated and affirmed ability of Bodema.
Grace a seat completely out of every era and difficult to place in a specific area of taste, and precisely for this reason it can be easily used in any context of residential area.

The collection of Havana armchairs by Giuseppe Manzoni stands out for its clear and distinctive sixties shapes, characterized by intimacy traits and boundless formal elegance.
Havana armchair in particular, with shapes and dimensions of marked generosity, best summarizes and expresses this specific expression of taste area, declined but never forced in the two versions proposed Lounge and Small, for infinite and varied locations in areas of taste and use.
All three of these versions are characterized by the perfection of proportions and, as always, by the tailoring of the packaging, which is manifested above all in the absolute perfection of the leather and/or velvet upholstery.

Ingrid and Carol swivel armchairs, with Kyoto sofa, represent a collection of seats with a vintage taste but with a definitely contemporary style; all this becomes reality be means of round and soft shapes, perfect proportions and strongly characterizing details such as the metal base with black chrome or bronze finish for Ingrid and Kyoto and the four-spoke bronze star base for Carol.
The padding, always soft and welcoming, amplifies and enhances the perfection of all-round shapes and lines, thanks to the specific craftsmanship acquired in over fifty years of activity.
The small size and perfect proportions facilitate the use of this type of seating in any environment, residential and in reception areas.

The perfect synthesis of pure contemporary design is perfectly condensed and creates Marilyn, the new armchair by Giuseppe Manzoni; seat and back fit perfectly and form a soft and welcoming padded monobloc, limited by curved armrests in solid canaletto walnut, or alternatively, covered in leather or upholstered with fabric lining.
The aesthetic characteristics, together with perfect dimensions and proportions, contribute to making Marilyn an absolutely eclectic armchair, ideally usable in any typology of residential contexts and hospitality areas.

A comfortable armchair with simple and linear shape solutions, available both with low and high backrest. Two buttons that give her a sophisticated classical lines image characterize the backrest. The armrest is excavated outwards right to exalt that weightlessness, which represents its distinctive character. The design of the armchair is inspired by the fifties style, by comparing also the contemporary tastes. The project takes the form of an armchair with small dimensions and big expressive potentialities throughout different living environments.

Fluent shapes for an armchair that draws on the styles of other historical epochs and revises them in a contemporary way. Backrest, seat and armrests draw a continuous line. The soft and rounded shapes give a feeling of relaxed and comfortable elegance.

The collection of Havana armchairs by Giuseppe Manzoni stands out for its clear and distinctive sixties shapes, characterized by intimacy traits and boundless formal elegance.
Havana armchair in particular, with shapes and dimensions of marked generosity, best summarizes and expresses this specific expression of taste area, declined but never forced in the two versions proposed Lounge and Small, for infinite and varied locations in areas of taste and use.
All three of these versions are characterized by the perfection of proportions and, as always, by the tailoring of the packaging, which is manifested above all in the absolute perfection of the leather and / or velvet upholstery.

The collection of Havana armchairs by Giuseppe Manzoni stands out for its clear and distinctive sixties shapes, characterized by intimacy traits and boundless formal elegance.
Havana armchair in particular, with shapes and dimensions of marked generosity, best summarizes and expresses this specific expression of taste area, declined but never forced in the two versions proposed Lounge and Small, for infinite and varied locations in areas of taste and use.
All three of these versions are characterized by the perfection of proportions and, as always, by the tailoring of the packaging, which is manifested above all in the absolute perfection of the leather and / or velvet upholstery.

Looking as a shell, strong and resistant but at the same time warm and welcoming; this is the essence of design, a continuous attempt to reproduce icons and natural images that surround us to get as close as possible to the essence of everyday life, the superfluous is not needed.
With these premises, Kim was born in the two variants, with and without armrests; this armchair with contained dimensions and perfect proportions is once again an attempt to revisit the retro fifties taste in a modern key.
The result is a product where once again the artisan skills of “know-how” are enhanced, which can be used in high-level residential contexts for an informal, but not too much, sitting, almost lounge.
The exaltation of this armchair is undoubtedly the combination of any type of velvet covering.

Re-interpreting the incomparable charm of the bergère armchair in a contemporary key, this was the definitely demanding task of Giuseppe Manzoni for this new creation. The synthesis of his thought is enclosed in the always round lines which are limited by soft padding that draws a definitely rejuvenated and perfectly “purified” armchair from the most distinctive features of the classic, and this in particular both in its structural features and in the sewing details, expertly made from the craftsmanship of Bodema.